Embracing the Dragon:
The Flames of Kalleen
Release Date: Feb. 14, 2018
More details coming soon!
Embracing the Dragon:
The Flames of Kalleen
Release Date: Feb. 14, 2018
More details coming soon!
This summer has been incredibly busy and filled with wonderful events, lots of writing, and working with several narrators to release audiobooks.
First, for some VERY exciting news! Barnes and Noble in Vancouver, WA is now carrying Black Rose, the first novel in the bestselling Black Rose Guard dark fantasy series!
If you are in the area, feel free to check it out!
Second, Audiobook news! Black Rose, Heart of the Rose, Heir to Kale & Heir to Koloso are now available in audiobook format through Amazon, Audible, and iTunes. Brought to life by wonderful narrators, these are great editions of the novels for anyone who enjoys audiobooks and I could not be more excited.
Blood Rose will also become available in Feb. of 2017.
The summer itself began with the second annual Words on the Vine Book Signing at Bethany Vineyards in WA, featuring seven amazing authors who gathered together to share their love of literature with fans.
Dina James, Brandy L. Rivers, Shane Chase,
Sarah M. Credit, Blythe Ayne, Greg Wilkey & K.L. Bone
In addition to the event itself, it also was a cause for celebration as the original members of #TeamGregWilkey was reunited for the event!
For those who don’t know, Greg, in addition to being a wonderful friend, is also the author of The Life and Undead of Mortimer Drake Vampire series and the Neither Nor series. More info can be found here: https://www.amazon.com/Growing-Dead-Undeath-Mortimer-Drake-ebook/dp/B0058DX8F8/ref=asap_bc?ie=UTF8#nav-subnav
We had a wonderful time visiting with friends, discussing the finer arts of writing and showing off our (less-than-stellar) bowling skills.
Next, I attended the Author Palooka signing in Mesquite, Nevada over the summer. I enjoyed spending the day with fellow authors and getting to meet new readers!
The trip though began with a few days hanging out in California where I had the great privilege of visiting with several friends who also happen to be fellow authors and artists. I had a wonderful lunch with wonderful friends Becket & Stina.
Becket is an author in his own right, of The Blood Vivicanti and Key the Steampunk Vampire Girl. If you’re unfamiliar with his writing, I highly recommend checking out his books here: http://www.becket.me
I also have a wonderful night visiting with my friend and the artist of the incredible map featured in my Rise of the Temple Gods novels, Raven Quinn.
She is also a wonderful singer/songwriter. More information on her work can be found here: http://www.ravenquinn.com
After California and the signing, I spent a few additional days in Las Vegas. We gambled a little, saw a few shows, including the incredible Michael Jackson Cirque du Soleil, which I would recommend for any lover Jackson’s music.
We also went to the Siegfried and Roy Secret Garden & Dolphin Habitat where we met not only the animals, but happen to run into Siegfried himself!
I also attended the annual PDX vampire ball.
Traditionally held in early spring, the event instead took place in June this year. It was a wonderful event featuring, great music, fun drinks, gorgeous gowns, and of course a traditional midnight waltz.
I also attended a fun writers workshop at the local Barnes and Noble lead by my long-time friend and writing mentor, the amazing NYT Bestselling Author Lilith Saintcrow!
This weekend I will be attending Rose City Comic Con – photos coming!
October 19th – Rise of the Temple Gods: Heir to the Defendants, book 3 will be released. Cover & Synopsis coming soon!
2017 – Much more coming including the release of both book 4 in The Black Rose Guard series – Silver Rose and the first in a series of side-stories, Shadow of the Rose!
I am thrilled to announce that both novels in the Rise of the Temple Gods series, Heir to Kale and Heir to Koloso, will now include a map of the fantasy world, illustrated by the amazing and talented Raven Quinn!
With Raven at the Undead Con
Photos taken in New Orleans 2014
In addition to being a wonderful illustrator, she is also an incredible singer/songwriter. You can check out her website here! http://www.ravenquinn.com
Links to the books can be found on the ‘Temple Gods’ section of my website and are available in paperback, kindle, nook, iBooks, and Kobo: https://klbone.com/temple-gods/
I still recall my first creative writing course in college as one of the most valuable classes I have ever taken. One of the elements my professor stressed above others was the importance of accurate description within a novel. He constantly challenged me in this area of my writing, asking me to be more detailed when it came to the world I was describing.
From my personal writing style, I have always had great difficultly writing what could be considered the most common of elements. For example, remembering to state that the grass on a warm spring morning is green under a blue sky were elements that I had difficulty remembering to include within the novel, due to the fact the fact that it takes little imagination in order to picture such a scene. In order to overcome this, and to force myself to learn the value and techniques of description, I found myself turning to the realm of speculative fiction, which forced me to confront the art of writing a truly descriptive scene.
To draw from examples from my own writing, in my YA series, Rise of the Temple Gods, the story is set in a completely fantastical realm. It is a land where there the grass is vibrant blue, leaves burst forth in yellow, pinks and orange from the bark of large red trees. The sky is violet, blazing with the light of three suns which rise and fall at varying times Horses come in multiple colors including silver, gold, pink, and blue. All of these details are extremely important when describing this fantastical world.
The act of writing such a world taught me, more than almost any other element, the importance of vivid, detailed and consistent description.
It is important, perhaps more so in speculative fiction than any other, to ensure that readers receive a clear, detailed picture of the world to which an author is attempting to transport them. Tips helping with this type of description vary for every author, but here are a few that I have found helpful over the years:
All in all, description is a very important part of the writing process, worthy of being taken into consideration from the most sweeping of landscapes to the smallest of details. Here are a few more posts on the subject:
One of the most difficult tasks I have found as a writer is finding the perfect name for a given character. While this might seem simplistic on the surface, I have often found myself putting as much research into names as almost any other aspect of writing.
First off, when I name a character, the name is instantly placed upon a list which I keep beside the draft of my novels. I cannot count the number of times when, as I journeyed on my path towards becoming a writer, I would come to the sudden realization that I had used the same name for multiple characters within my novel. Because of this, I now keep lists to ensure that I do not double up on the characters. Additionally I often keep character descriptions, such as hair, eye and skin color along with any distinguishing characteristics alongside the list of names.
In my experience, naming characters arises in one of two ways. The first is a character who arrives fully formed upon the page. For me, this type of character is generally a protagonist. In my YA series, Rise of the Temple Gods, the first character to appear was Mariana. She appeared upon the page in a short story written many years ago, when the concept for the series was first developed. She arrived with her name, physical appearance, and a general idea of who she was. Interesting enough that she would later become the title character for my four book young adult series. The heroes she worshiped, the brother’s Kale and Koloso, also appeared upon the page fully formed with their names, stories, and backgrounds.
It is often difficult to explain how these types of characters come into existence. For me, it has always been like meeting a new friend. They introduce themselves, complete with the name of their own choosing, as though they had existed long before the first word of the novel was written. For me, these characters are a wonderful rarity and often become the most important or central figures within a novel, due to the rich background with which they arise from the depth of imagination.
The second type of character is one whose name is chosen more meticulously. They are often created in order to support or conflict with the protagonist in a particular way. Names have meanings behind them and I love the process of searching for names that match the role of a particular character’s personality. Take, for example, some of the names found within my first YA novel, Heir to Kale. At the beginning of the novel, the kingdom is protected by three central figures. The first is Prince Eadmund, a variation of Edmund, which means ‘protector.’ The second is Edward, leader of a team charged specifically with the protection of the realm. Edward means Guardian. The last is Leonardo, which has multiple meanings including Lion and protector. This name also requires a matter of trust between author and reader. As alternatively, one of the villains also features a name which means protector. I will leave it to the readers to figure that one out.
In my upcoming novel, Black Rose, I conducted more research on the names than on any previous novel. Mara and Edward jumped onto the page with their names already set. Others, such as the Sub-Captains of the Rose were all given Irish names in tribute to the fact that the story is based loosely on irish Mythology.
There are enchanted horses also featured within the story. The two horses with coats of silver are named Argento and Sterling. The fastest of the horses, Sherwyn ridden by the protagonist, means ‘swift.’
Also, the names of the realms found within the Kingdom were also specifically chosen. All have Latin roots and the names of each kingdom are identifiable with particular aspects of either events which take place within the kingdom, or with physical features of the land.
Overall, I find the naming of locations and characters alike a fascinating and often challenging process. It is another aspect that I feel is worthy of research and given consideration. It is one of the most difficult and enjoyable parts of my writing process.
Here’s an article by author Laurell K. Hamilton, who has also recently written on this subject:
I have been hard at work attempting to finish my next novel, which I am happy to report, just broke the 70,000 word mark. As I’ve had little time for other writings, I have decided to turn this blog over to my husband for the week. I hope you enjoy his perspective on the writing process.
Guest Written by: Cam Bone
In the beginning, she was just like everyone else. But once it took over, she was no longer a normal human being. She became…a writer. I’ve attempted to chronicle the events as a warning to contain the spread. I pray I am not too late. I pray you never discover what happens
100,000 Words Later…
100 Words later…
The sun is shining, birds are singing. The laughter of children can be heard over the jovial chatter of neighbors and the playful barking of dogs. All seems right with the world. My beautiful wife turns to me and says “I’ve got a a great idea for a story…”
1000 words later…
“How’s it going?” I ask, offering another beverage. “Great,” she replies “the words are just flying off the page.” I notice her rubbing her wrists. I shrug it off as nothing.
3000 words later…
“…And then the evil queen is vanquished.” She’s been talking for half an hour straight. There is an intensity in her eyes have not seen before. I dismiss it as excitement.
5000 words later…
“Whoa, what the hell?” she exclaims, in a tone usually reserved for train derailments, A Kardashian in the White House, or a Game of Thrones death. “Why did he do that?” she asks the non-existent fictional entity on her computer screen. I look on in bewilderment.
10,000 words later…
I am awoken from a sound sleep with a rapid tapping on my shoulder. “Hey…Honey…HEY!!! I know where the next chapter goes.” she then returns to sleep as though nothing happens. I lay awake in confusion for the next few hours.
20,000 words later…
The clicking has grown in intensity over the last few hours. The neighbors knock on the door to ask if we have a woodpecker. I point to the feverish typing and the top of the head peeking over a laptop screen. I accept their condolences.
35,000 words later…
“Honey,” I meekly ask “are you getting hungry yet? How about some dinner?” She looks up from her screen staring directly forward. As the thought leaves her mind, she cranes her neck like a bird of prey. She gives me a look that says “My name is Inego Montoya, you killed my great idea…prepare to die”
“WHAT?” She dares.
I back away slowly. What was I thinking? We ate yesterday.
40,000 words later…
I decide to venture out for supplies. “We need paper and coke,” the voice calls from the glow of the laptop screen. I check my wallet. We can afford it. They say ramen tastes even better the second month in a row.
50,000 words later…
The pile of revised scenes and abandoned characters finally gave way and toppled on top of me. After several hours I pull myself out. I bandage my wounds with the revision of chapter 5.
60,000 words later…
The pounding on the other side of the bedroom door intensifies. “But I just need your to read one more scene…just one.” More pounding. I slide bits of chocolate under the door until the pounding ceases and there is the sound of shuffling back to the computer.
75,000 words later…
Her eyes look up at me from the screen, the joy of life long faded. Her fingers curl with arthritic frailty. A rasp escapes her throat. “Caffeine….Chocolate…LIQUOR…” I give in and feed the writer all it needs to subsist now.
100,000 words later…
All is quiet. The printer no longer screeches, it’s gears worn to the nub and the last drops of ink. The clacking has finally ceased. The glow of the laptop has dimmed. She wanders the the apartment, shying away from natural light. Confused, she shambles back to computer. No matter how much she crafts, no matter how many words she prints, her hunger cannot be sated. The writer will never stop now.
Let this be a warning to any left out there. Protect your love ones. Know the symptoms and be on your guard.
Last week I gave a presentation on creative writing at a conference on emerging perspectives in graduate research titled – The Writer’s Journey: Creating Believable Characters in an Unbelievable World. This is a shortened version of the presentation focusing on the issues between academic and creative writing, the importance of research, and the emotional effects which writing can (and often does) have over a writer.
I am a both a student of literature and a writer of speculative fiction. Upon hearing this statement, question that I am frequently asked is why I decided to study literature as opposed to creative writing. The answer involves the conflict that seems to exist between these two branches of English within the realm of the academic.
I decided to major in English when I was a junior in college. However, once this fact was established, my university asked me to answer a particular question: Are you a reader or a writer?
To me, this question was a rather surprising one. After all, the best writers are often the best readers, are they not? Now, what the university actually meant was that they offered two different paths to an English degree, one focusing on literature and one on creative writing. Excited by this writing option, I looked forward to attending my first creative writing course as an upper-level student. However, once I actually arrived for my first day of the programme, I found myself extremely disappointed.
Sitting down in the classroom full of other potential students, I was issued two items. The first was a copy of Stephen King’s book, On Writing: A Memoir of the Craft. The second was a list of restrictions as to what would be deemed ‘unacceptable’ or at least, ‘highly discouraged’ topics. I was very surprised when I read through the list and instead found that the restrictions included: ‘science-fiction, horror, fantasy, paranormal,’ and a number of other genres which can most accurately be described under the term ‘Speculative Fiction.’ The university preferred and encouraged topics of a more ‘literary’ nature despite using King’s text as a basis for the course. Biographies, travel, nature and a relatively new genre coined under the term ‘creative non-fiction’ were among the favourites of those encouraged.
It was because of these constraints that I made the decision, despite my love of writing, to study literature, as it posed none of the restrictions on topic choices which were found in the ‘creative’ writing programme. In literature I was able to pursue topics for which I found a passion that has carried me into later studies.
A few years later, when deciding to choose a graduate programme, I again discovered much conflict between the literature and creative writing realms. Literature was seen by many as the higher of the two fields of study. I was even asked if, given my love of writing, I would not prefer to obtain my degree in a quote: ‘easier’ creative writing field.
This implication that the field of studying literature is somehow more rigorous than the writing of fiction is, in my personal view, a misrepresentation, attributed mostly to a lack of understanding of the amount of both work and research which writers of fiction struggle to place within their creative pieces.
I pride myself on creating independent characters who have their own interests, backstories, and personalities. Long before a story is completed, and occasionally from their first conception, characters take on a life of their own. In order to create these characters to the best of one’s ability, an author must do two things. The first, is to force themselves both mentally and emotionally into the role of the character being written. After all, if I cannot feel the emotional impact of a given scene, then I cannot reasonably expect my readers to be affected by their plight either. Only by fully exposing myself to the same emotional journeys experienced by my protagonists can I understand how the character in question should react. This is also, perhaps, one of the reasons why one of the most common pieces of writing advice offered to young writers by professionals is simply to “write what you know.” It is advice that I agree with wholeheartedly, but would also add an addendum to the statement: ‘Write what you know, and learn what you don’t.’
Literary critic Georg Lukács, not to be confused with the famous director, states that characters “once conceived in the vision of their creator, live an independent life of their own; their comings and goings, their development, their destiny is dictated by the inner dialectic of their social and individual existence.” He believed that characters “try to live their own lives,” independent of the author who created them. This strive for independence, in turn, frequently forces an author to research places, activities, and fields in which he or she has never before had an interest.
Now, it should be noted that Lukás was in fact, a realist and the majority of his theories were applied specifically to works which could be classified as realism. However, the same principles are easily applied to works of fiction. Even among a fantastical setting, characters must be human in their mental and emotional capacities in order for the reader to relate to them. The more relatable, the easier it is cause readers to form an emotional attachment which is essential to maintaining an audience, especially within Speculative Fiction where the lands created are often foreign to the reader’s notion of the world.
Research is an important and vital part of the creation of a novel, no matter what the genre. While it is true that authors of speculative fiction might be able to take more liberties than those of non-fiction or realism, research still remains a vital part of the writing process.
Types of research vary from issues such as description, which International Bestselling Author Dan Brow (Da Vinci Code) argues is an important part of any novel. Detailed description of scenes can prove a vital element towards bringing a story to life. If the setting of a story is in the woods, authors should consider taking a walk in the forest. Note the sounds they hear, the smells in the air, the way sunlight and shadows filter through the trees. The same goes for a scene on the beach. Walk along the waves, taste the salty air, feel the texture of the sand between your fingers.
Alternative methods to actually going to the place being described, is to read the works of those who have. Extensive reading often proves to be one of a writer’s best resources. Read descriptions of the places you plan to write about. If you are writing about a real location, research its history, its layout, any other aspect which you may deem interesting or helpful within the research process. Meanwhile, if the location is fictional, consider finding ways to familiarize oneself with the land being created. Authors will frequently write side-stories, histories, draw maps, and create charts, none of which will ever see the outside of their personal collection, in order to help support the setting of their stories.
Other important elements of research brings us back to the previously quoted statement by Lucas. Lucas points out the characters often “life a life of their own,” after their conception. What this means is that these characters can and often do have backgrounds, hobbies, skills, and interests which often vary from the writer’s own. This means that in order to support these characters, a writer must often learn about these various topics, in order to support these said interests.
To draw an example from my own work, the Rise of the Temple Gods series, revolves around a world of martial arts and medieval swordplay. When I first informed my writing mentor, of my initial ideas for the novel, her response was something akin to this: “Sounds great! However…one quick question. What do you know about martial arts and swordplay?”
The answer, to quote George R.R. Martin, was something akin to: “Stick them with the pointy end?”
So began my journey into researching various forms of combat. I did this by first, reading lots of books on various forms of martial arts, reading fiction which featured elaborate fight scenes, and even watching a few old kung-fu movies. Then, I attended classes at local karate and jiu-jitsu dojos. Though I did not partake of the actual courses, I conducted multiple interviews with instructors and observed students for hours on end, having specific movements demonstrated for me by students while I took extensive notes on the technique, instruction, and history of both disciplines. This research was conducted over countless months, locations, and discussions with various experts. When I had eventually written and completed these scenes to the best of my ability, one of these instructors was kind enough to read through and critique my action sequences.
Now as one can probably guess, this is not a quick process. It is slow, often time-consuming and different authors will approach it with various levels of both time and dedication. However, most find that in the end, such measures are well worth the work involved and are a vital part of the process needed to create a believable, rich tales; even in a land filled with ancient Gods, pink trees and talking puppies.